Shadows don’t play a very large part in quilted art.
In looking over SAQA’s Portfolio 14 (a fairly representational collection of quilted art work by professional artists), I find little in the way of shadows. Value ranges and darks/whites used to establish foreground/background are everywhere, but shadows as an important part of the conception, even when the SAQA work is representational in nature, don’t much appear. A 2003 quilted piece that I did, which shows a leafless tree shadow on bricks, might provide personal insights, but it is more pattern than shadow.
Underwood, Philly Shadow, quilted silk. Continue reading ‘A Ramble through Shadows, by June Underwood’






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