Emily Carr – Canadian Artist » Front cover of “The Forest Lover” with a forest painting of Carr’s
Authors
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june
- What the surface Reveals: The Threads Project 2001 –2007 by Nancy Engstad
- The Only Constant is Change, by “Responsable” June Underwood
- Alison Watt, by Kanti Jocelyn
- Why Critiques Can Never Work: James Elkins’ Perspective, by June Underwood
- Painted and Quilted: Up for Discussion, by June Underwood
- A Ramble through Shadows, by June Underwood
- Matt Baker, by Joanna van Ritbergen (guest contributor)
- Optical Illusions in Art, The Continuum, by Sandy Donabed
- Interim — more on Archie Bray, by June Underwood
- Confabulation and Rules, by June Underwood
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Jane Davila
- Public Art, by jane dávila
- Andres Serrano, by jane dávila
- Willie Cole – by jane davila
- Mike Kelley, by jane dávila
- Meret Oppenheim – by jane davila
- Multiple Media (jane davila)
- On Art and Political Protest (jane dávila)
- Eileen Agar & Surrealist Games (by jane dávila)
- “Taste” in Art (jane dávila)
- Art & the Establishment (by jane davila)
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sandyw
- Nature as Art – Sandra Wagner
- Ana Lisa Hedstrom’s Shibori Class – Sandy Wagner
- Yvonne Morton – Artist – Sandy Wagner
- Digital Printing – Sandy Wagner
- Norman Rockwell – by Sandy Wagner
- Costume Designs in Oils – Sandy Wagner
- VESSELS (Sandra Wagner)
- Nature In All Its Glory – Sandy Wagner
- Shibori, Sandy Wagner
- Form – Space and Shapes – Sandy Wagner
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terrygrant
- Klaus Moje, by Terry Grant
- Personal icons – Terry Grant
- Charla Khanna’s dolls – Terry Grant
- Hogarth’s Line of Beauty – Terry Grant
- Corita Kent, by Terry Grant
- Principles of Design: Balance – Terry Grant
- Ann Johnston’s new work (Terry Grant)
- The power of an image
- Ben Shahn, by Terry Grant
- Fiber Art—It’s not just about you and me by Terry Grant
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eileen
- Maya Lin: Systematic Landscapes (by Eileen Doughty)
- Critique or Collaborate? by Eileen D.
- MLK Brouhaha (Eileen D.)
- Draw A Pig (eileen d.)
- Private Pleasures at the Textile Museum (Eileen Doughty)
- What’s on the Fridge?
- Immortal Words (Eileen Doughty)
- Two Old Dogs’ New Trick (by Eileen Doughty)
- Renegade Graffitist – Dialogue or Monologue? (Eileen Doughty)
- “Textiles of Klimt’s Vienna” (by Eileen Doughty)
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bestemor2000
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martinehouse
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gabrielleswain
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pamdora
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Angela Moll
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lindafrost
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kate
- Disciplined Observation by Kate Themel
- Being Creative in our Art and our Budgets: by Kate Themel
- News of the Weird – Should I be insulted by this horse? by Kate Themel
- Technology and Human Touch within Fabric Art – Kate Themel
- Grožnjan Istra, Croatia: Revitalization Through Art by Kate Themel
- Art Withdrawal (Kate Themel)
- An Artist’s Community in Connecticut – Kate Themel
- Aesthetic Appeal: Is it in our DNA? – By Kate Themel
- ART & CRAFT cannot be separated – Kate Themel
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clairan
- Art Where You Least Expect It (by Clairan Ferrono)
- Musing on Museums (by Clairan Ferrono)
- Art in America (by Clairan Ferrono)
- Cy Twombly (by Clairan Ferrono)
- Gerhardt Richter’s Cage (by Clairan Ferrono)
- Vilhelm Hammershoi (by Clairan Ferrono)
- Active Engagement (by Clairan Ferrono)
- Seriously, Series (by Clairan Ferrono)
- Emily Kame Kngwarreye
- Universal Modern?
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olganorris
- Questions, questions (by Olga Norris)
- Connecting thread (by Olga Norris)
- A publication and a publisher hit the dust (by Olga Norris)
- Louise Bourgeois’ fabric drawings (by Olga Norris)
- Inspiration, Influence, and Instruction (ramblings by Olga Norris)
- Time (by Olga Norris)
- Why figurative? (by Olga Norris)
- Fit for purpose (by Olga Norris)
- The fool on the hill (by Olga Norris)
- Reaction and/or judgement? (by Olga Norris)
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websandthreads
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